This would result in the opponent's arm being shaped into a 4. Share. Also known as a "cobra twist", this hold begins with a wrestler facing their opponent's side. A similar heel hook can be performed by holding the opponent's foot in the opposite armpit and twisting it laterally; a move which is referred to as an inverted, reverse or inside heel hook. The wrestler first straddles one of the opponent's legs, then reaches over the opponent's near arm with the arm close to the opponent's back and locks it. This version of a surfboard sees a standing or kneeling wrestler take hold of both of a kneeling or seated opponent's wrists and cross their arms over, applying pressure to both the opponent's arms and shoulders. Do not apply too much pressure as it can break your opponent's ankle. Also referred to as a neckscissors, this hold sees a wrestler approach a supine opponent and sit next to them before turning onto their side towards the opponent and wrapping their legs around either side of the opponent's head, crossing the top leg after it has gone around the opponent's chin. The wrestler approaches face-up opponent then grabs and folds the opponent's left arm over their lower torso, their left leg over their left arm, their right arm over their left leg, and the right leg over the right arm and left leg at the point where the ankle and wrist are placed together. The wrestler pulls upwards while his leg goes downwards, applying pressure to the shoulders, head and back. Ric Flair is no longer using his signature Figure Four Leg Lock move, so you younger wrestlers might as well. The wrestler performing the hold approaches their opponent from behind and grips their head with both hands. This variant is called the Code of Silence. 1.0 0x. Do the following while maintaining a hold of his right ankle: Push your The wrestler bends the opponent down so they are bent facing in front on the wrestler's body. The downward pressure on his ankles will cause pressure in either his knee, ankle or shin for the submission. This article has been viewed 73,781 times. The pressure is applied once the wrestler compresses their knees together. Wrestling Move: Figure Four Leg Lock - YouTube http://mongolsantino.com/join.phpkAos demonstrates the figure four leg lock. Nikki Bella has used both variations as a finisher in WWE. The wrestler applies a spinning toehold, crosses the opponent's legs and kneels on them. The opponent is on his back, wrestler standing to his side and reaching down to grab the opponent's far arm, pulling up. Unfavorite. This was also used as a finisher by Hulk Hogan early in his career called the Golden Squeeze in his WWF debut match against Ted DiBiase in 1979. The attacker then either pulls straight back on the chin or wrenches it to the side. With the opponent lying prone, the wrestler lies on the opponent's back, at a 90 angle to them, putting some or all of their weight on the opponent to prevent them from moving. A set-up for many throws and slams, this sees the attacking wrestler put a bent at the waist opponent to one side of them, reach the near hand around, and lock their hands around the opponent's waist. This hold sees the wrestler standing behind the opponent facing the same direction, and then hooking both the opponent's arms under their armpits. Professional wrestling throws Giant swing, "Wrestling Innovators The Origins Of Your Favorite Moves", "What a manoeuvre! These include Boston crabs, figure four leg locks The wrestler takes hold of a supine opponent's legs and pivots rapidly, elevating the opponent and swinging the opponent in a circle. wikiHow is where trusted research and expert knowledge come together. The wrestler then grabs their own wrist with their free hand, crossing it underneath the opponent's armpit and chest to lock the hold in, compressing the opponent's neck. File Size . The wrestler approaches the opponent who is lying face-down. Samoa Joe also uses an inverted powerbomb as a setup into the Boston crab. If the referee is distracted, heel wrestlers may grab onto the ropes while executing the move to gain leverage and inflict more pain. The wrestler then pulls the opponent's arm over their far shoulder and distributes the wrestler's body over their shoulders while having the other hand between and holding onto one of the opponent's legs and stands up. The wrestler then leans backwards and seizes the opponent around the waist, pulling them forward and upwards so they are lying across the shoulder of the opponent, facing downwards. With the opponent on their back, the wrestler, standing beside them, sits with their leg over and between the opponent's legs (often using a legdrop to the knee). Average rating: 9.38 [77] Average rating in 2023: 9.67 [3] The wrestler grabs their opponent's throat with both hands and throttles them. Get your opponent on the floor. This move is usually executed on a wrestler lying flat on their back. Often set up by a tilt-a-whirl, the opponent ends up suspended with one arm hooked behind and both legs hooked by the wrestler's other arm. This submission was used as a "finishing" maneuver by a number of wrestlers over the years, including Sgt. From this position, the wrestler lifts the opponent up, usually by bending. The wrestler then lies on top of the opponent's back and locks their arms around the opponent's head. This text is hidden because it is only available in German language. There is also an inverted version where instead of performing the move from behind the opponent, the wrestler stands in front of the opponent and uses the move in the same way as the normal full nelson. The Rated R Superstar, Edge used this variation, calling it the Edge-u-cator. Moves are listed under general categories whenever possible. Wrestler Lex Luger was famous for using it as a finisher.Hercules also used this as a finisher move as well. The wrestler grasps an opponent's neck with both hands then lifts them up. The figure-four leg-lock is a wrestling submission hold that affects the leg and ankle of your opponent. This move was made famous by Ric Flair and now too is often used by most of the wrestlers in WWE and other franchise. 2. Take his/her left leg and place your left leg on the right side of his/her leg then spin 360' so that you are facing your opponent. During this However, instead of locking the opponent's legs in a "4" shape, the attacking wrestler crosses one of the opponent's legs over to the other leg. The hold compresses the legs, flexes the spine, and stretches the abdomen. This attack is illegal and results in a wrestler's disqualification, should the move not be broken by a count of five. A variation, called a bar-arm sleeper is where one applies a normal sleeper to the opponent and uses the opposite arm close to their face as added pressure applied to the move. Also known as a cobra choke or a kata ha jime (a term borrowed from judo), this hold sees the wrestler put the opponent in a half nelson with one arm and grab the opponent's neck with the other, sometimes while adding body scissors. No need to use energy. [X] - Put chair down _____ 03.b - Signature Moves _____ Signature moves are unique to each wrestler, and must be performed when the opponent's stamina bar is coloured red. This basic backbreaker submission involves the wrestler laying the opponent's back across one knee, then, while placing one hand on the opponent's chin and the other on their knee, the wrestler pushes down to bend the opponent around their knee. The wrestler grabs their opponent's arm, pulling it around behind the opponent's back. Asuka also uses the bodyscissors variation as a finisher dubbed the Asuka Lock. Also known as a spinning armlock. From here, the wrestler rolls the opponent face first onto the mat, with their legs and arms tied together, sandwiched between the mat. Also popularly known as a "Texas Cloverleaf", the wrestler stands at the feet of the supine opponent, grabs the opponent's legs, and lifts them up. Depending on the wrestler's preference, they may clasp their hands together to secure the hold, as Triple H shows in the adjacent picture. This variation is also used by Tyler Breeze as the Figure Four Sharpshooter, and by T. J. Perkins, who calls it the Figure Four Deathlock. Asuka also uses this variation. In many cases, the wrestler will drop to the mat and lock the opponent in a bodyscissor lock to make escape even more difficult. A wrestler stands in front of an opponent and locks their hands around the opponent, squeezing them. It is performed by approaching the opponent and putting one hand on the back of the opponent's neck while holding the elbow of the opponent's arm that is holding their own neck. [1] A camel clutch can also refer simply to a rear chinlock while seated on the back of an opponent, without placing the arms on the thighs. In Daniel Bryan's variation of the move as the LeBell Lock, he takes the opponent's arm and puts it in an omoplata. Chris Masters and Bobby Lashley uses a standing variation called the Master Lock and the Hurt Lock respectively, where they lock the nelson in and swing their opponent back and forth alternating pressure between their shoulders. Chris Jericho uses this move in a high angle version, calling it the Walls of Jericho. This hold is often used in conjunction with a hold applied to the head or the arms in order to restrain the opponent. Also known as the Gorilla Clutch, named for Shuji Kondo's King Kong-themed signature move names. Another version of a surfboard, which is known as a "seated surfboard stretch" but referred to as a "modified surfboard stretch". We use cookies to make wikiHow great. Former Impact wrestler Jazz also used this move dubbed the Bitch Clamp. Big Show uses a kneeling variation of this move called the Colossal Clutch. Then, the wrestler maneuvers their other arm through the "hole" created by the opponent's bent wrist, locks their hand upon their own wrist, and pulls the opponent forward, causing pressure on the opponent's arm and neck. This hold applies pressure on the opponent's temples and calves and compresses the spine. A common type of toe hold is the figure-four toe hold, where a figure-four hold is used to hold the opponent's foot. Innovated by Mariko Yoshida and is currently used by Naomi, naming it, Feel the Glow. This move has been used by Daniel Bryan and Bobby Fish as the Fish Hook Deluxe Edition. 0.245 MB. With the same arm, the wrestler reaches around the ankle and through the opening formed by the legs and locks their hands together as in a cloverleaf. Another version sees the wrestler hold their opponent in the Argentine backbreaker rack before dropping into a sitting or kneeling position while simultaneously throwing the opponent off their shoulders, causing the opponent to roll in midair and fall to the mat in a face-down position. Also known as a cross armbreaker or straight armbar. The wrestler then takes hold of the upper arms or wrists of the opponent and spreads them, holding the opponent in place. It became a popular technique for larger and stronger wrestlers as the lift is seen to emphasize their height and power. [16] A variation of the cloverleaf performed by Eddie Guerrero saw the wrestler perform the maneuver from a standing position, which enabled him to pull the opponent's legs up high enough to where he could add pressure to the hold by sticking one of his knees into the other wrestler's back. Popularized by Jamie Noble, the opponent starts on his stomach with the attacker crossing one leg over the knee-pit of the other and holding that bent leg down by dropping to his side and placing their leg over it (passing that leg through the hole of the "4". Former TNA and WWE wrestler Samoa Joe uses this as his signature submission hold, calling it the Coquina Clutch, and current WWE wrestler Shayna Baszler uses it as her finisher, calling it the Kirifuda Clutch. [5] The stomach claw was most famously used by Killer Kowalski, naming it the Kowalski claw. The hold itself can be and sometimes is used as a submission move, but it is more commonly used as a transition hold to set up another move such as a suplex, a DDT, a facebuster, or a powerbomb. Satoshi Kojima uses a slight variation where both of his legs are on the same side of the opponent's arm. An inverted version of the cravate is used by Chris Hero as part of his "Hangman's Clutch" submissions in which the hand positioning is the same as a normal cravate but the facelock is connected around the face of the opponent, not from behind the opponent's head, thus pulling the opponent's head backwards rather than forwards, putting significant pressure on the neck by stretching it backwards and in other directions toward which the neck would not normally bend. The wrestler will then sandwich the arm between their own leg and the side of the opponent's body. The wrestler then picks up the straight leg of the opponent, bends it backwards to lock the other leg in the knee pit and places the foot in front of the shin of the standing leg in the knee pit, thus locking the leg. This hold is performed on an opponent who is lying face down on the mat. Used as a finisher by Haku and Bone Soldier. WebFigure Four Leg Lock is a throw used by King I in Tekken 2, and by King II from Tekken 3 onwards. Sheamus also uses this move. Innovated by Ed Lewis, the wrestler begins positioned behind their opponent. Another variation is performed in a bridging position where the wrestler wraps both hands around the opponent's neck and pulls back, which applies pressure to the neck and bridges on the opponent's back for added leverage. An inverted variation is also possible, which was commonly used by Big John Studd. The only difference between Sting's "Scorpion Death Lock" and the current "Sharpshooter" is which leg the pressure is on, as Sting's targets the right leg and the "Sharpshooter" targets the left leg. The attacking wrestler stands over a face-down opponent, facing the same direction. From here many throws, drops and slams can be performed. These variations are also invented by Tenzan himself. An old catch wrestling hold made somewhat famous by Stu Hart, this variation of a nelson hold involves the wrestler applying the hold forces the opponent prone on the mat and drives their knees into the opponent's upper back.[7]. If you're playing with your friends, brothers don't apply too much pressure.. Do not let your opponent turn on to their front; this reverses the pressure and becomes like a sharpshooter variant, so it will hurt your back and now it'll be your turn to cry. The attacker throws their other leg over the opponent's trapped arm and then behind the opponent's neck, pushing it forward. Stretches are usually employed to weaken an opponent or to force them to submit, either vocally or by tapping out: slapping the mat, floor, or opponent with a free hand three times. The wrestler proceeds to lean back, pulling on the leg under the armpit. This keeps the over leg, now under, locked while putting pressure on the leg and stretching the legs and back. On this Wikipedia the language links are at the top of the page across from the article title. Lance Storm also performs this move with both versions, including the regular Boston crab and single-leg Boston crab. The opponent is face down on the mat, with the attacker bending both of their legs up and tucking their ankles against their armpits. Sometimes preceded by an arm wrench, the wrestler grasps the opponent's hand and twists backwards, placing pressure on the wrist. Also known as a "buffalo sleeper", this choke sees the wrestler kneeling behind a seated opponent before grabbing hold of one of the opponent's arms, bending it backwards overhead, and locking the opponent's wrist into the attacker's armpit. Tyson Kidd formerly used this move. The wrestler sits down, crosses their legs, tucks their head into their chest and wraps one arm around their ankle (so they are effectively rolled into a ball). The wrestler then squeezes the opponent's neck, causing pressure. Innovated by Antonino Rocca, this submission hold, better known as a Torture Rack or simply a rack, sees the attacking wrestler carrying the opponent face-up across his own shoulders, before hooking the opponent's head with one hand and a leg with the other to then pull down on both ends to hyperextend the opponent's back and force a submission. 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